T.H.A.T.
(Television History and Trivia)from
www.hologlobepress.com
by
Victor Edward Swanson,
Publisher
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Special Important Announcement
I have videos on YouTube, and they are history pieces, and they can be found at the channel for "The Hologlobe Press" (the search term). One of the videos is about my making of a model of 40 Mile Point Lighthouse, and other videos are about Ms. Anna May Wong, Ms. Sandy Benson (The Naked Lady of The Soupy Sales Show of KABC-TV), and WAYN-AM (of Wayne State University). By the way, you can use this Videos link to read about my videos. And I still have a document at the website for The Hologlobe Press entitled A COVID-19 Document that Shows the Rottenness of the CDC, Many in the Medical Community, Many in the Media, and All the Democrats, such as Gretchen Whitmer, Andrew Cuomo, and Joseph Biden, and the document can be reached by using this COVID-19 link.
Special Note about New York City Mayor Zohran Mamdani
It seems that back in January 1, 2026, and around January 1, 2026, a lot of news organizations failed purposely and out of laziness to report words spoken by newly elected New York City Mayor Zohran Mamdani, a communist, in a public speech or even proclamation. To right the wrong, I present in this document one of the hideous statements that Zohran Mamdani presented on the day to the public, and the statement shows the evilness of his mind. Zohran Mamdani stated flatly and directly and clearly--"...We will replace the frigidity of rugged individualism with the warmth of collectivism....". The statement can be called a lie, but, to Zohran Mamdani, that is what he wants to do. That means Zohran Mamdani wants you to become a non-individual--a person not with your own thoughts and goals and aspirations--or to become just another one of the group, under the umbrella of his arms and rules. Zohran Mamdani does not want you to work on your own behalf to be better in this world and life and be better than what the lowest common denominator is, and he does not want you to gain through time the strength through trial and error and work to be strong enough to stand up to the nonsense that he is. Zohran Mamdani wants to be your protector in life and provider in life--for his sake and ability to be free to do whatever he wants. Incidentally, a "collective" (a word often used by communists and like people) is nothing more than a collection of people who are supposed to be the same and alike and even be passive to a leader. In life, you have to gain stamina through your actions of doing things, and a person's being a individual and working for the self to make things and do things increases the strength of the person, but a person's relying on, for example, a government leader does not develop strength in the person over time. It must be pointed out the "rugged individualism" is an American term used to describe persons with the ability to do for the self, and, certainly, when Zohran Mamdani used the term, Zohran Mamdani was consciously working to put down and discredit the United States of America and Americanism and anyone who would not follow his ways of life for the masses or his "collective."
- - - T.H.A.T., Edition No. 264 - - -
For the start of this edition of Television History and Trivia, I have a special history note. From Monday, May 4, 1987, to Friday, September 20, 1991, NBC-TV had a weekday daytime series on the air that was called Classic Concentration, each episode of which was a half-hour game show, and, today, episodes of that series can be seen on the BUZZR subchannel network. I recently saw two episodes of that series on BUZZR that caught me by surprise. The episodes were first shown by NBC-TV on July 24, 1989, and July 25, 1989, and the host of the episodes was Alex Trebek, and the announcer was Gene Wood, and the model was Marjorie Goodson Cutt. One of the contestants was a man named Michael Barr. From 1987 to 2001, Michael Barr was a newsman or news announcer or news reporter for the famous radio station in Detroit (in the Fisher Building) called WJR-AM 760 (the "Great Voice of the Great Lakes"). When I saw the episodes, I was surprised that a Detroit newsman got to be on a national-network game show in 1989 [Note: By the way, in 1989, I was regularly heard on WJR-AM on weekends while working for AAA Michigan.]. I remember hearing Michael Barr on the radio (and he did a bit of time as a reporter for WDIV-TV, Channel 4, in Detroit), but I do not remember speaking with him. Based on the two episodes, I can say that Michael Barr played three games (and won them), and at the end of the second episode, he now owned a new car (a white Mitsubishi Mirage), and, in total, he ended up with $33,254.00 in winnings. By watching BUZZR recently, I ended up with one of those well-what-ya-know moments. I wonder what happened to the Mitsubishi Mirage.
Now, I get on to subjects of television in earnest (mostly).
In the edition of Television History and Trivia for March 10, 2025, I talked about a series called The Secret Lives of Mormon Wives, some of whom were Taylor Frankie Paul, Whitney Leavitt, and Mikayla Matthews, and I talked about the series after having seen the debut showing on ABC-TV on January 27, 2025 (the show had debuted on Hulu already). In T.H.A.T. #251 (March 10, 2025), I reported how I found the gals to be "jackie-asses" and how I would never want to meet any one of them; after seeing the first episode, I never went on to see any more of the series, but the crap continued to be shown on ABC-TV and on Hulu. For some reasons, the managers of ABC-TV thought it wise to have Taylor Frankie Paul be the "bachelorette" in an edition of the series called The Bachelorette. On Sunday, March 15, 2026, ABC-TV put on (it seems) The Bachelorette: Before the First Rose after the showing of the Academy Awards show for the year. The program was designed as a preview show for The Bachelorette edition that was scheduled to show up on Sunday, March 22, 2026, at 8:00 p.m., and the series would have the usual weekly run. Well, some history about Taylor Frankie Paul became public knowledge before March 22, 2026, would show up, and The Bachelorette got shelved or permanently canceled. When I heard the news about the series being canceled--not thinking hard about the possible reason (maybe something related to domestic abuse tied to Taylor Frankie Paul)--I said to myself that I am not surprised, given what I remembered of Taylor Frankie Paul and the other gals of The Secret Lives of Mormon Wives. What viewers are not going to learn now--I say--is what jackass guys wanted to get on The Bachelorette as a contestant and then get married to Taylor Frankie Paul, a jackie-ass. All the guys have to be jackasses or highly stupid to have the urge to marry Taylor Frankie Paul. It is all more ugliness of television!
On March 1, 2026, CBS-TV began to run the series called Marshals, which has Luke Grimes as the main performer. To me, the first episode was nothing special. In fact, at the end or so, there was a bar scene, and there were a couple gals presented. Although the gals could be considered pretty by some, I found them to be rather unpleasant and not happy looking.
Announcement for the novice again (reworked in March 2019): To get useful television-delivered news or Internet-delivered news, try Breitbart News Network (the history of which goes back to 2007), WorldNetDaily.com, Newsmax TV (which was started up in 2014), CNS News (which is on the Internet and which was launched on June 16, 1998), and One America News Network (a.k.a. OAN), since the entities do not blindly support Barack Obama-type people (communists, socialists, progressives, liberals, and Shariaists), as do CNN, MSNBC, NBC-TV, CBS-TV, and ABC-TV (Note: To learn about bad journalism, you might tune in to CNN, MSNBC, NBC-TV, CBS-TV, and ABC-TV from time to time to see how they differ from the better places mentioned). I note that the Fox News Channel is evolving into a rotten channel, becoming like those that I have put down in this paragraph. If you are unclear of my intentions, I say in different words that you should boycott CNN, MSNBC, NBC-TV, CBS-TV, and ABC-TV and even now much of what is on the Fox News Channel and hope they lose more ratings and advertising revenues, since they are expendable, and it is time for you to find the guts to be mean and heartless and cancel them--since they are hurting you. In 2019, "The Drudge Report" was sold, and it should be treated as suspect for now. [Note: Everyone in the Democratic Party in the country is rotten, and the Republican Party establishment has shown itself to be socialistic and communistic within the last few years, and only a few of the rotten people tied to the Republican Party are U.S. Senator Mitch McConnell, Mitt Romney, Jeb Bush, and Chris Christie.]
[Note: Here is an example of Chris Christie's rottenness. On Sunday, February 6, 2022, Chris Christie was a guest on This Week with George Stephanopoulos (of ABC-TV), which had Martha Raddatz as the host, and Chris Christie pushed out crap. For example, Chris Christie said--"...And let's face it. Let's call it what it is. January 6 was a riot that was incited by Donald Trump...an effort to intimidate Mike Pence and the Congress into doing exactly what he said in his own words last week--overturn the election. And he's trying to do a cleanup on aisle one here...." and "...He actually told the truth by accident. He wanted the election to be overturned....". That is bullshit!]Throughout the year, I make long-distance drives in Michigan, running, for example, about 270 miles between two residences, and, on the trips, I listen to the radio. Given the distance, it is commonplace for me to listen to several radio stations on a trip, since it is commonplace for radio stations to have a maximum range or pickup. I listen to a station that airs hits of the 1970s, 1980s, and 1990s at least, and I listen to a station that covers the pop hits of today, and I listen to a station that air political shows, and I listen to a country-music station, which airs the country music of today. On the hits station, I regularly hear not-so-good music, that which has bad singing and bad instrumentation, such as all that computer-generated or electronic stuff, which often has the same beat throughout. The country station has some bad stuff, too, and there is one song that I turn off when it gets played, since it is highly depressive, and that song is about the only one I that I have turned off in decades of listening. I can say that there are more bad hit-type songs played on radio today than in the 1970s when I did a bit a radio stuff at Wayne State University, and that is because of many reasons, one of which is people seem not to have the guts to say that a song from a big-name star is crap when it is crap, and I think the audience as a whole is made of more mush-heads than that of decades ago. I do not listen to any Spanish-language hit stations, which might put out the crap that Bad Bunny did for the Super Bowl half-time presentation, in which he was vulgar (in Spanish) and said things that should have been bleeped out, but Bad Bunny--though he is a gutter-type boy--gets played because his Spanish culture of gutter stuff does sell to gutter-type listeners. Of course, people can turn away, and during the half-time show, some people watched an alternative half-time show, which I gave a simple review in the T.H.A.T. document of two months ago, and I called the show a "failure." For one, that alternative half-time show was not fun in tone and presentation, which was the way it should have been to keep more people interested in it and less interested in the Bad Bunny crap. Even the alternative half-time show was presented so that people at home could not say that they would want to have, generally speaking, all the guys and gals performing on the show to show up in their living rooms from week to week, and, mostly, the guys looked like the slug known as Teddy Swims, who got to performer for the international audience seeing the pre-game show for the Super Bowl. Years ago, producers of television shows often considered whether or not a lead performer had a personality that would make the viewers want to have the person show up at the house from week to week, and, for instance, the host of a variety show could not be a person who might not have the quality of being liked enough to show up every week, examples of such a person are Red Skelton and Carol Burnett.
Between 1969 and 1993, there was a series on television that had a number of persons who people wanted to see from week to week, even if they presented corny jokes or low-brow humor, and that series was Hee Haw, which focused on country music or country-music stars of the 1940s, 1950s, 1960s, 1970s, and 1980s at least, and I am going to talk about that series, one reason of which is to remind me of it in relation to Detroit television history. The series was a variety show, and it was hosted by Roy Clark (who had, for example, appeared as a guest some years earlier on The Beverly Hillbillies, (a likable series of television history) and Buck Owens, and then I can say that, over the years, it had a lot of regulars as sidekicks or backing performers in each episode, such as well-known Nashville-type performers like Grandpa Jones, and it had a bunch of pretty gals, and many of the backup regulars were on the series for years and years. The program ran for one hour each time, and it aired weekly, and it was taped in Nashville. The program started out as a series on the CBS-TV network on June 15, 1969, and the guest stars were Loretta Lynn and Charley Pride, and it was produced at WLAC-TV in Nashville, Tennessee, and the series lasted ran through the 1970-1971 season o CBS-TV. The series was not dead. It was produced for syndication, starting with the 1971-1972 season, and it first episode showed up in Detroit on Channel 50, WKBD-TV, and Saturday, January 1, 1972, at 7:00 p.m.. The series stayed on Channel 50 through the 1975-1976 season. I was surprised when my files reminded me that for the 1976-1977 season and the 1977-1978 season, the series was shown on WWJ-TV, Channel 4, and, in 1978, WWJ-TV went from being owned by, in essence, The Detroit News, to being owned by the Post-Newsweek entity, and it seems the latter did not want it around, and so Channel 50 ended up as the home for the syndicated series in the 1978-1979 season. Channel 2, WJBK-TV, was the station that carried the series for the 1979-1980 season. Channel 20, WXON-TV, had the series for the 1981-1982 season. The series was back on Channel 50 for the 1982-1983 season. By the way, Gaylord Program Services began to distribute the series by satellite on September 12, 1983. Channel 31, WIHT-TV, of the Ann Arbor area (a little west of Detroit) carried the series for the 1986-1987 season, which is why some people thought it had disappeared from syndication. Channel 62, WGPR-TV, which was the black-owned television station of Detroit, aired the series for the 1987-1988 season and the 1988-1989 season. Then, the series showed up for the 1989-1990 season on WADL-TV, Channel 38. WGPR-TV was the last station in the Detroit area to carry the series, having it for the 1991-1992 season and the 1992-1993 season (the last season during which the series was syndicated). Hey, I have to report that the 1992-1993 season of the series in syndication was a season of repeats, and, actually, the episodes were considered episodes of Hee Haw Silver. I have to admit that, in the later years, I lost tracking of seeing it, since the series jumped around to times when I was not paying attention to television or did not have good access to the broadcast. When the series was not broadcast by a Detroit television station and even when it was, it was broadcast by television stations near the Detroit market, such as in the Toledo, Ohio, market, so some people in the southern area of the Detroit area could yet catch the series when it was not on a Detroit television station. The series was not gone at the end of syndication. The Nashville Network (a cable channel) began to carry the series on a weekly basis on October 2, 1993, and the network was carrying select episodes as repeats, and the network used the series till May 1995. Then, on Saturday, November 10, 1996, The Nashville Network once again began running repeat episodes of the series, and that was done for a short while.
Some big deal specials related to the series were produced and aired. On October 22, 1978, NBC-TV carried a show called Hee Haw 10th Anniversary Celebration, and it had a lot of big-name country performers as guests, such as Roy Rogers, Barbara Mandrell, Mel Tillis, and Chet Atkins, and the program ran for two hours (beginning at 8:00 p.m.). Ten years later, a special called Hee Haw's 20th Anniversary was put out for syndication, and, in Detroit, it aired on WXYZ-TV, Channel 7, on Saturday, June 4, 1988, beginning at 7:00 p.m., and it was another two-hour product, and it had such guests a Barbara Mandrell, Tanya Tucker, Kenny Rogers, Roy Acuff, George Jones, and Charley Pride.
Officially, a series that can be called a spin-off of Hee Haw ran for one season in the country, and that series was The Hee Haw Honeys. However, the show started out as a pilot, and, for the Detroit area, that one-shot special was seen on WWJ-TV, Channel 4, on January 4, 1978, beginning at 7:30 p.m.. The program was a half-hour product. The real season of weekly episodes began on WDIV-TV (the fairly new name for Channel 4) on Saturday, September 16, 1978. The pilot and the series were distributed by Lexington Broadcast Services Corporation, and the syndicating was being done when the heyday of broadcast-television syndication was still underway and when stations had a greater variety of programs on the schedules than they do today. The pilot focused of three young gals played by Kathie Lee Johnson (later to become well-known as Kathie Lee Gifford in television history), Catherine Hickland, and Muffi Durham, and they were aiming for stardom and success, and another regular on the pilot of actor Kenny Price. The pilot was not well-received, and the concept was reworked, especially in relation to casting. The series ended up with two young gals played by Kathie Lee Johnson and Misty Rowe, and other regular characters were played Lulu Roman, Kenny Price, and Gailard Sartain, and the theme location was a club or cafe scene. In Detroit, the series disappeared in September 1979. Over the run of the series, a lot of big-name country performers showed up for guest spots, such as Mickey Gilley, Barbara Mandrell, Dottie West, Roy Clark, The Oak Ridge Boys, and Brenda Lee. Yet, the pilot and the series never really attracted viewers, but it was not as if the series was an "ugly" series, the type of which is commonplace on television today, as I have shown in editions of Television History and Trivia, especially recently.
Of course, Hee Haw can be called one of the biggest hits in television history, running about 25 years, and one reason for that is what is missing from many television series today--fun and likableness and characters who people did not mind having show up in their living rooms from week to week. Roy Clark and Buck Owens were pleasant hosts. And the show had likable regulars, even though many played stereotypical characters, such as the dumb happy guy or flirty dumb blonde. Plus, each week, it was commonplace for big-name country performers to show up and do new songs or big-time hits.
I have to report here that some of the performers may actually have been jackasses or jackie-asses is real life, but that is not important to report here or know. What is important is what showed up on the television screens each week. Mostly, it was a happy one-hour, even if a song or two was not always grade A or even if a joke was a slight bomb.
I have to admit that sometimes segments, such as with the whole cast, came off as a bit stilted or a little forced, maybe because of fatigue in people or momentary disinterest by a cast member or whatever, and, maybe, the fast-paced production schedule (with not a lot of rehearsal) left some performers a little out of sink or unclear about what they were doing or were supposed to do (and they worked to follow along).
Today, episodes of Hee Haw or segments from Hee Haw are available on YouTube, which can be seen for free, but I have yet to find any episodes of The Hee Haw Honeys on the Internet to see, which is not surprising to me. The music--generally speaking--was good in relation to country stuff, but it was no complex stuff like that which was put out at the time by Yes (which was what I often listened to during the time that Hee Haw was on the air). Mostly, the comedy segments were passable, many of which in the early days were written by Archie Campbell, Gordie Tapp, and Don Harron--three guys who did regular characters for years. And there is nothing wrong with having pretty girls be pretty girls or just girls, and the series had such gals as Gunilla Hutton, Misty Rowe, Jeannine Riley, Marianne Gordon (and Marianne Rogers), and Barbi Benton. [Note: I have to report that I left many persons unmentioned, but, to present a good list in even one show, I would have to list up to at least 28 persons, based on the credits of episodes that I have noted in my files, and, okay, I will admit that Barbi Benton is the style that I like the most, which is not said to put down the other cuties.]
The alternative half-time show of February 8, 2026, did not sell well the "fun" that country music is or can be, but "fun" seems to be lacking today in country music, as it is with the other types of music, such as R&B and pop, and the stage was dark, instead of bright and cheery, and whatever audience was near the stage did not show off that it was having a happy and fun time (not being shown), and many of the performers were dressed like slugs or dressed like Teddy Swims (who looked like a street slob for the Super Bowl show thing), and, really, the songs came off as political messages or statements when the day called for no political statements and such (since that was stuff for another time and place and was being done at another time and place, such as on television talk shows, such as Mark R. Levin's several video products).Announcement: Recently, I have added some new documents to the collection of my documents at the website for The Hologlobe Press. One of the documents is entitled A Document that Dispels Myths and Nonsense of Science-Fiction Books, Movies, and Television Shows (A Logic Puzzle), which can be reached through this Myths link. Another document is And So You Think You're Going to the Moon, Mars, or the Stars..., which can be reached by using this Moon link. And yet another of the documents is entitled And the Stupid Women Shall Lead--and Lead Every Good Individual into Shit, Driven on by Communism, Feminism, and Defective Female Beliefs and Little-Girl Thinking, which can be reached through this Stupid Women link. And here are other documents--A Review of What Television Controlled by Socialists and Communists Worked to Sell as Truth in Relation to the U.S. President Donald J. Trump Impeachment (at Impeachment) and T.H.A.T. Special Edition--The First Helicopter-based Traffic Reporters on Radio for the Detroit area of Michigan (at Helicopter Traffic).
Today, television series of the period covering from the late 1940s to the 1980s that were originally put to kinescope film, regular film, or videotape exist on YouTube; that is, all the episodes of a series or only a few episodes or only one. That allows people to see what television was like years ago, particularly in the case of this discussion--the period of likable television. By the way, I have reported that, today, it is easy to find "ugly" television shows on television--broadcast or cable or satellite or streamed. Yet, not all the series aired between the late 1940s and the 1980s were great productions or were well produced series. A series could have not become well-known and big favorite because of lack of budget, mis-casting, poor writing, sloppy or lazy direction, a cheap sound stage (which can result in a bad background sound), et cetera. However, I cannot really think of a series that was produced in the period that was an "ugly" series. For this edition of Television History and Television, I am giving you information about two series, at least some episodes of which are available on YouTube, that did not become big hits years ago, and they feature gals as the main performers. You probably would not look for the series by yourself, such as because you do not know they were produced. The first series features a well-known performer of, for instance, the 1950s and early 1960s, but the "star" name did not guarantee super success. The series is The Betty Hutton Show, and it was put to black-and-white film. Some of the semi-regular performers or regular performers in that series were Dennis Joel, Gaving Muir, and Tom Conway. YouTube has at least several episodes of the series, and I recently saw one that had such themes as a school bully, a class president, and boxing. The Betty Hutton Show was shown on the CBS-TV network from October 1, 1959, to June 30, 1960. The next series--one with Debbie Reynolds--was aired by NBC-TV from September 16, 1969, to September 1, 1970, and this production was in color, which is not surprising, since color was really being pushed for the 1964-1965 season and especially for the 1965-1966 season. The series was called The Debbie Reynolds Show, and Debbie Reynolds was certainly a well-known performer then, such as in movies for the theater, in the 1960s. Both series, for the most part, ended up with the same "tone" or appearance--they came off a "flat." One main problem for The Debbie Reynolds Show was casting. In the series, Debbie Reynolds played a character who was married, and the husband was played by Don Chastain. The two performers looked mismatched, or there was no real on-screen romantic "chemistry." In the episode that I watched so that I could write this section, the main theme of the story focused on whether or not the two main characters were really married. In The Betty Hutton Show, the main character was not married, so there was no problem with a lack of romantic chemistry between a husband and a wife. Incidentally, non-lack of romantic chemistry can be seen in the married couples of McMillan & Wife, The Bob Newhart Show, and The Dick Van Dyke Show. The Betty Hutton Show and The Debbie Reynolds Show never came together as smooth pieces, and that is because, for example, scenes seemed padded because of lack of good jokes, and the actors seemed not to be saying their lines naturally and easily, and that means the shows had a forced feeling at times. That is all that I will say about the two series. See what you think! Go to YouTube, and look for episodes of The Betty Hutton Show and The Debbie Reynolds Show. You will not be put off by seeing episodes, since they are not a part of "ugly" television. You may be satisfied by what you see, since the shows can have good moments. By the way, at the end of the episode that I saw of The Debbie Reynolds Show, Debbie Reynolds came off as very pleasant and cute in a talking-to-the-audience moment, and she was in a nice dress or gown. I do note that Debbie Reynolds went through a bunch of costumes in the episode (which was set up by a gal named Helen Rose). Maybe, the producers of the series were concentrating too much on her wardrobe than on her lines and the pacing of scenes.
In September 1968, Detroit-area television viewers had six television stations to see till WXON-TV came on the air in the middle of the month, and that new station came on the air on Channel 62. That station went off the air in late November 1972 for a few weeks so that staffers could do electrical work on the station, and then the station went back on the air in early December 1972 on Channel 20. On Saturday, November 18, 1972, the last presentation of Showcase 62 (a movie-showing series) aired, and the movie was (which started at 3:30 p.m.) Ghost of Dragstrip Hollow. On Saturday, December 16, 1972, for the showing of movies on Saturday afternoons, what had been Showcase 62 was now Science Fiction Movie, and, by the way, Ghost of Dragstrip Hollow would show up again on Saturday, June 16, 1973, as a Science Fiction Movie presentation, which, in 1973, was a weekly movie series for 3:30 p.m. on Saturdays. For this month, I have chosen Ghost of Dragstrip Hollow as the Looking at the Movies feature. It is certainly a "B" picture of 1959, and, yes, it is in black and white. You will find the movie on YouTube, and if you see it, you will see that the main performers are at least Russ Bender, Henry McCrann, and Jody Fair, and Jody Fair is a little cutie, but Jody Fair did little in films during her lifetime.
Remember: The Prisoner with Patrick McGoohan was a television show that was produced across the pond and shown on CBS-TV in the late 1960s, and I urge you to find The Prisoner on DVD, maybe from a library, and watch it, and you should show it--all the episodes--to teenagers, or buy it as a present for teenagers.
Stay well!Vic
P.S.: You are urged to see my document entitled One of "The Rules of Man"--A Rule About Health Care that No Politician May Supersede with Law, which can be reached through this Rule1 link. I have deduced that all the Democrats and most Republicans support the Patient Protection and Affordable Care Act of 2010 and have no intention of killing it, though it should be killed for violating, for one, "The Rules of Man." For example, Republicans Jeb Bush and Chris Christie support the rotten law, and that is one reason that I define them as stupid men and not men who are good enough--in this day and age--to be the U.S. President. I note that the "mandate"--which forces everyone to buy government-approved health-care insurance--violates one of "The Rules of Man," and it is a rule that is attacked in the Patient Protection and Affordable Care Act of 2010. Anyone who supports the "mandate" is not a good enough person or a smart enough person to be the U.S. president--the mandate is "enslavism," and the "mandate" allows government people--who are often usually bad people, as history shows--decide what health care a person can get, and that is bad.
copyright c. 2026
Date published: April 10, 2026The Hologlobe Press
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The United States of America
To see the previous edition of T.H.A.T.,
click on: T.H.A.T. 263.
To see the catalog page for T.H.A.T. editions,
click on: T.H.A.T..
To see information about the news business in
the country and its failures and its betrayal of
the American public, click on: T.H.A.T. #55.
To go to the main page of The Hologlobe Press,
click on: www.hologlobepress.com.
To see information about the impeachment trial
of U.S. President Donald J. Trump, which shows
why Democrats have the minds of killers, click
on: Impeachment Trial.
For further reading, you should see the document
entitled Never Forget These Media Darlings ? --
A Guide for the Individual in the United
States of America, which can reached by
using this link: Media.
For further reading, you should see the document
entitled Film and Television Production
Tax Credits: The Bad Side of the Issue,
which can be reached through this link:
Tax Credits.
Keep in mind: T.H.A.T. documents and Michigan
Travel Tips documents published since the middle
of 2008 contain more quotations and statements
of Barack Obama's that you should see. To see
the editions of Michigan Travel Tips, you should
go to the catalog page, which can be reached by
hitting this link: Travel.###